Neglecting the Entryway to the User Experience

August 16, 2009
You can't get in that way folks. You just can't.

You can't get in that way folks. You just can't.

You wouldn’t build a car with a hidden door, a website with a cryptic URL, or a train station with no entrance. Yet take a look at this CVS in Porter Square in Boston. The store-front curve on this particular corner is designed to showcase the merchandise inside, but it also insinuates there’s an entrance nearby. But there’s no entrance for a block in each direction. And that’s far away enough to be an issue in the thick of a New England winter (when this photo was snapped).

The lesson here? Don’t deceive users on entry points. The gateways to the experience are as important as the experience themselves.

So get with it, CVS! And I’ll go ahead and admit that I walked into the glass window because I wasn’t quite paying attention. Darn head cold.


What the ‘L’ Taught Me About Design

July 18, 2009

On a recent sunny summer afternoon I hopped off the Chicago ‘L’ and found myself in front of what appeared to be the station exit under a big bold sign labeled “Out”. But I hesitated. As clearly as it was marked, I didn’t see so much an exit but a human death trap: a giant carnivorous plant with rusty iron teeth. Add the deafening rumbling of the train above and the high-pitched squeal of the aging turnstile and it was a less-than-inviting gateway into urban America.

This man took his chances.

This man took his chances.

Call me melodramatic, but this was my instinctual response to encountering the exit , my emotional response. I had consciously realized it was an exit of course, but it was my survival instincts – all processed in a fraction of a second after digesting my environment – that held me back. And in this case it was my hesitation that declared the victor in the clashing of my logical and instinctual halves.

So I waited and held my breath and let someone else brave the path before me.  I finally stepped out, free at last, but not without a chilling reminder of another important design guideline. Functional clarity (what something does), and emotional design, (the feelings a design evokes, usually based on aesthetics) should both be taken into account when designing, systems, gadgets, environments — everything. Simple enough, right? And no, I’m sure next time I won’t hesitate before leaving the station.


Toilet Signs!

February 19, 2009

Good design sometimes shows up where you least expect it.

Guess I won't be knocking then.

I guess I won't be knocking then.

How many public restrooms have you tried to use, found locked, and weren’t sure if it was occupied or not? Check out this signage found at a random gas station restroom somewhere in the San Fernando Valley. It’s message, simple yet so helpful: both in explaining the locking convention and eliminating any meaningless interactions with the gas station clerk. (Though I admit I have no idea what “Mobil” means – it wasn’t a mobile bathroom – maybe it was the name of the genius who put the sign up)

This second example was found inside a porter-potty in the parking lot before a Giants football game in New Jersey. Dry and precise in its wording, it warned of a gruesome fate if the technology were to be pushed beyond its limits.

Terrifying.

Informative yet terrifying.

Okay, so at the time it seemed a bit out of context, rather than 10 people and a normal work week, the surroundings consisted of over 80,000 people and 5-10 hours of hard tailgating. So I kept my fingers crossed that the math was done correctly and there was enough of these in the vicinity to keep from any “unsanitary and overloaded” conditions.

All around helpful signage in this oh-so-important area of our lives.


Remote Simplicity

December 9, 2008

Simple, functional, and light as a feather!

Simple, functional, and light as a feather!

Take a look at this device I found in my hotel room in Scranton, PA, the other week. Chances are it doesn’t look like anything you’ve seen in a while.

What appears to be an ancient artifact from another era is in fact a fully-functional television remote control, complete with five (count ‘em, 5!) buttons: Power, Channel, Volume, Mute, and a Menu/Select/OK grab-bag button.  

So why is it appearing here, immortalized in the blogosphere?

Well, in a world dominated by 3-in-1, 45-button remotes, two things stood out about this one. It did what I needed it to do, and it was refreshingly easy to use. A picture of good design.

(Grandma’s doing well, by the way!)


When it’s more than just Seeing the Sign

November 12, 2008

We see thousands of signs every day of different shapes, colors, sizes, and meanings. Good signs. Bad signs. Confusing signs. Below are two examples of signage on the stimulus-heavy Venice Beach Boardwalk in southern California.

Exhibit A:  A cash-strapped tourist stands confused after a familiar sign leads him only to a lovely selection of hats (that he doesn’t have the cash to buy anyways…).  Result: The store looses out on both the ATM transaction – assuming they actually have one – and a potential hat sale because of the poorly placed sign.

atmsigns

Exhibit B:  An honest sign that actually points to a real ATM, but our hero is no where to be found!  Result: The accurate sign leads to better business and happier tourists, as patrons surely will at least consider a massage or new pair of sunglasses after loading up at the ATM.

Conclusion Anywhere and everwhere, good design and placement of signs is invaluable.


A Rockin’ User Experience

September 16, 2008

Stress-relieving device (associated with relaxation and leisure) offered complimentary in a hectic and high-stress environment = a great user experience. 

Rock the stress away at PHL in Philadelphia

Rock the stress away at PHL in Philadelphia

Or, simplified:  {Rocking chair + Airport = Great}

 

Below is another comforting airport experience in the form of a lounge atmosphere complete with big screen TVs at Bradley International in Connecticut.  What a nice trend to see developing!

 

My apologies for the rocking chair picture coming out blurry, I was busy rocking in one of my own while taking the photo.  And I suppose it’s only fair to note that I almost missed my connecting flight because of how relaxed I was…

Lounging at BDL in Hartford

Lounge at BDL in Hartford


Traveler’s Tales

August 6, 2008

Traveling is always a great opportunity to discover and engage new designs.  When we’re in unfamiliar settings we often notice the subtleties of our environments more, and are quicker to spot differences between neighborhoods, cities, or countries. 

With pictures taken from my trusty camera phone, I’ll try to share as many observations from my travels where design issues effect me first hand.  Some of the best design insights come out of this kind of field observation.  Not in a lab or formal setting, not from a human factors specialist or usability researcher, but just from us, as users of the world.

"Wait - what number are you under?"

"I'm under #6. No, the other 6! Where are you?"

 

Take this case for example, on the first leg of a recent journey of mine across the country.  Notice the head-sign “6″ repeating into the distance outside of the Arrivals pickup area at LAX airport.  Now try telling your ride to meet you under “6,” the only landmark you can see.  I did, and was finally picked up on my rides’ third loop around the airport.  Here’s a great case for salience, for differentiation from the surrounding signs.  A better design could have been as simple as unique #’s or letter pairings with each #.  All in all a minor frustration, but one that could have been avoided.  For the record, the weather down in LA was great.


Follow

Get every new post delivered to your Inbox.